At the time of his work Honoré Daumier had been well known for satirical lithography he submitted his work often to the liberal French Republican Journal, Cariacture In these pieces, he made derisive fun of the foibles and misbehavior of lawyers, politicians and middle class gentry. In touch with the acute social and political unrest in Paris at that time he depicted events that were the result of the rapid development of an urban industrial society. As might be expected, the sting of his critical wit often put him in conflict with the government. In his unfinished The Third-Class Carraige
He shows them to us in the un-posed attitudes and unplanned arrangements of the millions thronging the modern city--anonymous , insignificant, dumbly patient with a lot they cannot change. Daumier saw people as they ordinarily appeared, their faces vague, impersonal blank--unprepared for any observer.
Art Through the Ages
King Louis Phillippe was Daumier's first great theme, he also had a biting way to get across the inherent need for the social reform of the French heirarchy depicted in the tragic portrayal of current events in Rue Transnonain,1834. Crafting from the ordinary continuum of life he randomly gathered isolated views ..... unrehearsed details of human existence. His unique efforts would go on to achieve a reality antecedent to the candor and spontaneous settings being captured by the snapshot camera at the end of the century.
Debbie Godwin Adams. "Artists and Art in the Classroom" Tucson, Arizona.
1994. (Lecture presented at St Joseph's Catholic School.)
Justus, Kevin. "Art and Culture II." Tucson , Arizona.
1992. (Lecture presented at Pima Community College.)
De La Croix, Horst, Richard D. Tansey, and Diane Kirkpatrick.
Art Through the Ages. University of Michigan: Harcourt Brace Jovanovich.